{"id":3200,"date":"2009-12-10T11:48:29","date_gmt":"2009-12-10T10:48:29","guid":{"rendered":"http:\/\/lyonbondyblog.fr\/LBB\/?p=3200"},"modified":"2013-08-02T12:00:32","modified_gmt":"2013-08-02T10:00:32","slug":"j-fever-le-petit-tigre-du-hip-hop-chinois","status":"publish","type":"post","link":"https:\/\/lyonbondyblog.fr\/LBB\/j-fever-le-petit-tigre-du-hip-hop-chinois\/","title":{"rendered":"J-Fever, le \u00ab petit tigre \u00bb du hip-hop chinois"},"content":{"rendered":"

Genre musical encore confidentiel en Chine, le rap conquiert progressivement une jeunesse en qu\u00eate d’un moyen d’exprimer son mal-\u00eatre. En voyage \u00e0 P\u00e9kin, Laure a rencontr\u00e9 l’un des leaders de la sc\u00e8ne hip-hop de P\u00e9kin, le rappeur J-Fever.<\/strong><\/p>\n

\" <\/a><\/div>\n
\u00a0Le moins qu’on puisse dire, c’est qu’il n’a pas la t\u00eate de l’emploi. Pantalon blanc impeccable, chemise noire col Mao, cheveux noirs \u00e9bouriff\u00e9s et sourire timide: Zha Hong est un jeune homme de 23 ans qui aime \u00ab\u00a0rester simple et naturel\u00a0\u00bb. Pourtant, derri\u00e8re ces airs de gentil \u00e9tudiant se cache l’une des figures phares du hip-hop chinois, connu sous le nom de \u00ab\u00a0J-Fever\u00a0\u00bb. (prononcer \u00ab\u00a0jay-fiver\u00a0\u00bb)<\/div>\n

\u00ab\u00a0J’ai choisi mon nom de sc\u00e8ne en r\u00e9f\u00e9rence au film Jungle Fever, de Spike Lee, un classique des ann\u00e9es 90′<\/i> \u00bb, raconte Zha Hong, sans doutes influenc\u00e9 par plusieurs ann\u00e9es d’\u00e9tudes universitaires en production cin\u00e9matographique. Mais le rappeur poss\u00e8de aussi un deuxi\u00e8me pseudonyme, beaucoup plus proche de sa culture chinoise: Xiao Laohu. \u00ab\u00a0Cela veut dire \u00ab\u00a0petit tigre\u00a0\u00bb… parce que je suis n\u00e9 l’ann\u00e9e du Tigre! \u00bb, explique-t-il en souriant.<\/p>\n

 <\/p>\n

Ce doux m\u00e9lange orient-occident est une constante dans la vie musicale de J-Fever. Car si il rappe uniquement en mandarin \u2013 la langue officielle \u00e0 P\u00e9kin \u2013 il a \u00e9t\u00e9 largement influenc\u00e9 par la musique occidentale: jazz, blues, funk, etc. \u00ab\u00a0Au lyc\u00e9e, j’ai eu la chance d’avoir un professeur passionn\u00e9 de musique. Au lieu de nous apprendre les maths, il nous faisait d\u00e9couvrir les nouvelles tendances du jazz, du rock ou du m\u00e9tal. \u00c7a a d\u00e9velopp\u00e9 ma curiosit\u00e9 pour la musique moderne, loin de ce qui s’\u00e9coutait en Chine \u00e0 l’\u00e9poque. Plus tard, j’ai achet\u00e9 beaucoup de \u00ab\u00a0cut-CD\u00a0\u00bb, des copies pirates ill\u00e9gales produites \u00e0 Ta\u00efwan, et j’ai d\u00e9couvert le rap.<\/i> \u00bb<\/p>\n

 <\/p>\n

Influenc\u00e9 par la formation am\u00e9ricaine The Roots puis par des artistes comme Eminem, Hocus Pocus ou DJ Cam, J-Fever confesse une orientation \u00ab\u00a0jazzy\u00a0\u00bb, plut\u00f4t m\u00e9lodique et accorde beaucoup d’importance \u00e0 l’\u00e9criture de ses textes. \u00ab\u00a0L’esprit du hip-hop est de parler du r\u00e9el. Si les rappeurs noirs am\u00e9ricains parlent beaucoup du racisme et des ghettos, c’est parce que c’est leur quotidien. Moi, je suis un jeune chinois en Chine, alors je ne vais pas parler de discrimination ou de trafic d’armes, mais je t\u00e9moigne des difficult\u00e9s de la jeunesse chinois d’aujourd’hui face \u00e0 un monde qui s’acc\u00e9l\u00e8re et semble parfois devenir fou\u00a0!<\/i> \u00bb<\/p>\n

Et le rappeur de raconter ce qu’il appelle \u00ab\u00a0sa g\u00e9n\u00e9ration sacrifi\u00e9e\u00a0\u00bb: \u00ab\u00a0Notre pays vit un d\u00e9veloppement gigantesque \u00e0 une telle vitesse\u00a0! On cherche \u00e0 nous d\u00e9guiser en pays occidental, et les Chinois sont tellement press\u00e9s d’assimiler ce nouveau mode de vie qu’ils en perdent leur culture et leurs racines. Les jeunes Chinois sont perdus…<\/i> \u00bb. Paradoxalement, c’est par le biais d’une musique n\u00e9e aux USA que J-Fever \u00a0d\u00e9livre ses messages. \u00ab\u00a0C’est vrai, c’est paradoxal!, s’amuse-t-il. Mais pour reprendre confiance dans l’avenir, nous ne devons pas accepter ou refuser en bloc la culture \u00e9trang\u00e8re. Nous devons nous l’approprier. <\/i>\u00bb Ce qu’il fait avec talent dans ses chansons, \u00e9voquant tour \u00e0 tour les probl\u00e8mes globaux (Grippe A, guerres, crise \u00e9conomique, pollution…) et des r\u00e9flexions personnelles comme son amour de la musique ou le sentiment de solitude que l’on peut ressentir dans une ville de 15 millions d’habitants comme P\u00e9kin.<\/p>\n

Philosophe dans ses propos, J-Fever n’est reste pas moins un \u00ab\u00a0tigre\u00a0\u00bb lorsqu’il s’agit de monter sur sc\u00e8ne pour rapper. Vainqueur de deux tournois nationaux de battles, il a su mettre ses adversaires au tapis sans tomber dans la facilit\u00e9 des insultes. Les Mother fucker, tr\u00e8s peu pour lui! Et sa verve subtile plait visiblement au jeune public p\u00e9kinois.<\/p>\n

Ce soir, le \u00ab\u00a0petit tigre\u00a0\u00bb se produit dans son ancienne universit\u00e9, en compagnie d’amis rappeurs, DJ et beat-boxer. Martelant ses textes, il entra\u00eene dans un jump effr\u00e9n\u00e9 la foule des jeunes en surv\u00eatement mass\u00e9s au pied de la sc\u00e8ne. La ferveur est d’autant plus importante que les apparitions de J-Fever sont plut\u00f4t rares… et pour cause. Son album, \u00ab\u00a0Organic\u00a0\u00bb, s’est vendu \u00e0 seulement quelques milliers d’exemplaires, une goutte d’eau dans l’oc\u00e9an chinois, mais un beau succ\u00e8s dans le milieu du rap.<\/p>\n

\u00ab\u00a0En Chine le hip-hop reste une culture tr\u00e8s underground, loin des courants musicaux majoritaires. Tr\u00e8s peu de sc\u00e8nes nous ouvrent leurs portes. Mais c’est un mouvement qui prend de l’ampleur chez les jeunes et aujourd’hui le pays compte deux sc\u00e8nes \u00e9mergentes, celle de Ta\u00efwan et celle de P\u00e9kin, chacune poss\u00e9dant son style propre.<\/i> \u00a0\u00bb. A P\u00e9kin, seule une poign\u00e9e de chanteurs et de groupes arrivent \u00e0 s’imposer, bien qu’aucun d’eux ne puisse pr\u00e9tendre vivre de sa musique. Zhao Hong, lui, cumule actuellement plusieurs emplois dans l’enseignement, la production et l’animation t\u00e9l\u00e9. Mais il reste confiant dans l’avenir. Moiti\u00e9 s\u00e9rieux, il annonce en riant: \u00ab\u00a0L’ann\u00e9e 2010 est plac\u00e9e sous le signe zodiacal du Tigre. Pour moi \u00e7a sera une bonne ann\u00e9e! <\/i>\u00bb<\/p>\n

Voir la vid\u00e9o de son concert\u00a0:\u00a0http:\/\/www.youtube.com\/watch?v=djB50jqQGOA<\/a><\/p>\n

Auteur : Laure Marandet<\/span>
\n*Remerciement \u00e0 Tianlin XU pour son aide dans la traduction<\/p>\n","protected":false},"excerpt":{"rendered":"

Genre musical encore confidentiel en Chine, le rap conquiert progressivement une jeunesse en qu\u00eate d’un moyen d’exprimer son mal-\u00eatre. En voyage \u00e0 P\u00e9kin, Laure a … <\/p>\n","protected":false},"author":1,"featured_media":3214,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[3],"tags":[564,101,751,135,112],"class_list":["post-3200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-concert","tag-hip-hop","tag-j-fever","tag-lbb","tag-lyon-bondy-blog"],"yoast_head":"\nJ-Fever, le \u00ab petit tigre \u00bb du hip-hop chinois - Lyon Bondy Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lyonbondyblog.fr\/LBB\/j-fever-le-petit-tigre-du-hip-hop-chinois\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"J-Fever, le \u00ab petit tigre \u00bb du hip-hop chinois - Lyon Bondy Blog\" \/>\n<meta property=\"og:description\" content=\"Genre musical encore confidentiel en Chine, le rap conquiert progressivement une jeunesse en qu\u00eate d’un moyen d’exprimer son mal-\u00eatre. 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