{"id":21832,"date":"2021-02-01T16:39:26","date_gmt":"2021-02-01T15:39:26","guid":{"rendered":"http:\/\/lyonbondyblog.fr\/LBB\/?p=21832"},"modified":"2021-02-01T16:40:45","modified_gmt":"2021-02-01T15:40:45","slug":"le-spectacle-vivant-face-au-covid-2-une-instabilite-pesante","status":"publish","type":"post","link":"https:\/\/lyonbondyblog.fr\/LBB\/le-spectacle-vivant-face-au-covid-2-une-instabilite-pesante\/","title":{"rendered":"Le spectacle vivant face au Covid #2 : une instabilit\u00e9 pesante"},"content":{"rendered":"

Faire vivre les petites compagnies th\u00e9\u00e2trales avec la crise sanitaire est un combat \u00e9reintant. Entre tentative d\u2019adaptation et baisse de motivation, les milieux amateurs et associatifs avancent au ralenti.<\/b><\/p>\n

\"\"
Le th\u00e9\u00e2tre de l’Anagramme. \/ Cr\u00e9dit : Google maps.<\/figcaption><\/figure>\n

St\u00e9phan Meynet est b\u00e9n\u00e9vole \u00e0 l\u2019Anagramme, petit th\u00e9\u00e2tre de quartier situ\u00e9 dans les pentes de la Croix-Rousse. Il est \u00e9galement directeur technique de \u201cl\u2019Astree\u201d, salle de spectacle pr\u00e8s de la Doua \u00e0 Villeurbanne. Magali Forestier, quant \u00e0 elle, a mont\u00e9 une compagnie de th\u00e9\u00e2tre amateur nomm\u00e9e \u201cLes bidons d\u2019eau\u201d \u00e0 l\u2019issue d\u2019une formation de trois ans effectu\u00e9e \u00e0 \u201cl\u2019Irep\u201d de Villeurbanne. Tous deux livrent leur t\u00e9moignage sur la situation actuelle du spectacle vivant, et s\u2019accordent \u00e0 dire que l\u2019instabilit\u00e9 devient pesante.\u00a0<\/span><\/p>\n

Une pratique th\u00e9\u00e2trale boulevers\u00e9e<\/b><\/p>\n

La difficult\u00e9 d\u2019organisation des r\u00e9p\u00e9titions impacte grandement les compagnies th\u00e9\u00e2trales. Entre les horaires r\u00e9duites par le couvre-feu et les mesures sanitaires \u00e0 respecter, c\u2019est un sentiment de d\u00e9pit qui r\u00e8gne chez les com\u00e9diens. <\/span>\u201cNos r\u00e9p\u00e9titions se faisaient surtout le soir car c\u2019est le moment o\u00f9 tout le monde est disponible. Alors avec le couvre feu, \u00e7a devient compliqu\u00e9. Beaucoup se motivent car il faut r\u00e9p\u00e9ter avec des masques, or \u00e7a restreint le jeu d\u2019acteur et le plaisir de jouer. A la base c\u2019est un loisir mais \u00e7a devient une contrainte\u201d,<\/span><\/i> d\u00e9plore Magali. Le report de tous les spectacles est \u00e9galement un facteur de d\u00e9couragement. L’incertitude, le manque de visibilit\u00e9 dans la programmation et de projection dans le futur ne sont pas anodins, r\u00e9v\u00e8le St\u00e9phan : <\/span>\u201cCertains se demandent s\u2019il est utile de continuer \u00e0 r\u00e9p\u00e9ter alors qu\u2019ils n\u2019ont pas jou\u00e9 depuis 9 mois. Quand on n\u2019a pas d\u2019\u00e9ch\u00e9ances de spectacle pour motiver les troupes, c\u2019est difficile de f\u00e9d\u00e9rer les effectifs. Vu qu\u2019on est entre amateurs et semi-professionnels, l\u2019organisation est d\u2019autant plus difficile. Beaucoup ont totalement l\u00e2ch\u00e9 l\u2019affaire.\u201d\u00a0<\/span><\/i><\/p>\n

Selon Magali, pratiquer du th\u00e9\u00e2tre sans convivialit\u00e9 semble illusoire\u00a0 : <\/span>\u201cOn fait du th\u00e9\u00e2tre parce qu\u2019on adore \u00e7a, on adore se retrouver. L\u2019irep est une petite famille, apr\u00e8s les repr\u00e9sentations on faisait la f\u00eate tous ensemble. Le th\u00e9\u00e2tre est un art qui regroupe des personnes d\u2019horizons diff\u00e9rents, qui permet le m\u00e9lange et la d\u00e9couverte. L\u00e0, m\u00eame si on est reprogramm\u00e9 on sait que le bar sera ferm\u00e9. Ce partage est occult\u00e9 par toutes les contraintes sanitaires.\u201d <\/span><\/i>Stephan lui, d\u00e9plore le manque d\u2019effectif g\u00e9n\u00e9r\u00e9 par la crise : \u201c<\/span>Avant le lundi \u00e0 20 heures, j’accueillais 16 personnes, maintenant je fais des s\u00e9ances de la m\u00eame intensit\u00e9 avec 10 personnes en moins, mais on s\u2019adapte tout de m\u00eame.\u201d<\/span><\/i><\/p>\n

\"\"
Le public de l’Anagramme. \/ Cr\u00e9dit : St\u00e9phan Meynet<\/figcaption><\/figure>\n

Le num\u00e9rique, une alternative qui ne fait pas l\u2019unanimit\u00e9\u00a0<\/b><\/p>\n

Le num\u00e9rique semble \u00eatre la seule option permettant de continuer de cr\u00e9er et de conserver un lien avec le public. En mati\u00e8re de vid\u00e9o, St\u00e9phan n\u2019en n\u2019est d’ailleurs pas \u00e0 son coup d’essai : <\/span>\u201cA l\u2019Astr\u00e9e, on a d\u00e9j\u00e0 fait 2 spectacles en streaming durant le mois de d\u00e9cembre. Je ma\u00eetrise bien le milieu de la r\u00e9alisation et des cam\u00e9ras. On a des cadreurs et des gens comp\u00e9tents, on peut relever le niveau technique.\u201d <\/span><\/i>Ces comp\u00e9tences num\u00e9riques ne sont pas \u00e0 la port\u00e9e de toutes les structures. L\u2019Irep peine \u00e0 s\u2019adapter aux nouvelles technologies. Se pose aussi la question de l\u2019efficacit\u00e9 de ces \u0153uvres multim\u00e9dias. Sont-elles r\u00e9ellement efficaces ? Le public ne s\u2019av\u00e8re pas toujours r\u00e9ceptif car ces travaux vont \u00e0 l\u2019encontre de l\u2019essence m\u00eame du spectacle vivant : <\/span>\u201cLe th\u00e9\u00e2tre c\u2019est pas une visio quoi ! <\/span><\/i>proteste Magalie.<\/span> Le th\u00e9\u00e2tre c\u2019est ressentir, c\u2019est \u00eatre l\u00e0, toucher les gens, avoir des expositions de visage, transmettre des \u00e9motions \u00e0 moins de 1m de distance. J\u2019ai d\u00e9j\u00e0 \u00e9t\u00e9 invit\u00e9e \u00e0 un spectacle d’impro audio. J\u2019ai \u00e9cout\u00e9 20 minutes\u00a0 et \u00e7a ne m\u2019a pas transport\u00e9e. J\u2019avais pas le public \u00e0 c\u00f4t\u00e9 qui me porte. J\u2019avais pas cette \u00e9mulation comme dans un vrai th\u00e9\u00e2tre.\u201d<\/span><\/i>\u00a0<\/span><\/p>\n

L\u2019espoir perdure en d\u00e9pit de la crise<\/b><\/p>\n

Si St\u00e9phan parvient encore \u00e0 s\u2019accrocher, c\u2019est notamment parce qu\u2019il reste lucide sur la situation, plus critique encore, des th\u00e9\u00e2tres professionnels\u00a0 <\/span>\u201c Plus il y a de personnel en jeu, moins les situations sont \u00e9videntes. Je m\u2019entretiens tous les jours avec mon tr\u00e9sorier, et la raison pour laquelle on n\u2019a pas encore la corde au cou c\u2019est parce qu\u2019on respecte un mod\u00e8le associatif. La situation reste tr\u00e8s d\u00e9licate pour nous mais au moins, il n\u2019y a pas d\u2019emploi menac\u00e9.\u00a0\u00bb<\/span><\/i><\/p>\n

Malgr\u00e9 toutes ces incertitudes, les acteurs du monde du spectacle restent optimistes et comptent s\u2019accrocher pour faire vivre leurs compagnies : <\/span>\u201cEn tous cas nous on est pr\u00eat. Quand le gouvernement autorisera la r\u00e9ouverture on mettra tout en \u0153uvre pour avoir des spectacles\u201d<\/span><\/i> d\u00e9veloppe St\u00e9phan. L\u2019\u00e9tat d\u2019esprit de Magali est similaire, tout autant motiv\u00e9 \u00e0 r\u00e9sister face \u00e0 la crise : <\/span>\u201cNotre philosophie maintenant c\u2019est d\u2019essayer de se tenir pr\u00eat, d\u2019avoir une pi\u00e8ce qui tient debout. D\u00e8s que les th\u00e9\u00e2tres r\u00e9ouvrent et que l\u2019Irep nous propose une date, on y va. On n\u2019en peut tellement plus qu\u2019on va essayer de jouer la carte de la spontan\u00e9it\u00e9 et se tenir pr\u00e8s quand se sera possible.\u201d<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

Faire vivre les petites compagnies th\u00e9\u00e2trales avec la crise sanitaire est un combat \u00e9reintant. Entre tentative d\u2019adaptation et baisse de motivation, les milieux amateurs et … <\/p>\n","protected":false},"author":29252,"featured_media":21834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[6443,22420,3,4],"tags":[],"class_list":["post-21832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-association","category-covid-19","category-culture","category-lyon"],"yoast_head":"\nLe spectacle vivant face au Covid #2 : une instabilit\u00e9 pesante - Lyon Bondy Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/lyonbondyblog.fr\/LBB\/le-spectacle-vivant-face-au-covid-2-une-instabilite-pesante\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le spectacle vivant face au Covid #2 : une instabilit\u00e9 pesante - Lyon Bondy Blog\" \/>\n<meta property=\"og:description\" content=\"Faire vivre les petites compagnies th\u00e9\u00e2trales avec la crise sanitaire est un combat \u00e9reintant. 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